Growing up in a small town,
we didn't notice
the background figures of our lives,
gray men, gnarled women,
dropping from us silently
like straightpins to a dressmaker's floor.
The old did not die
but simply vanished
like discs of snow on our tongues.
We knew nothing then of nothingness
or pain or loss—
our days filled with open fields,
football,
turtles and cows.
One day we noticed
Death has a musty breath,
that some we loved
died dreadfully,
that dying
sometimes takes time.
Now, standing in a supermarket line
or easing out of a parking lot,
we realize
we've become the hazy backgrounds
of younger lives.
How long has it been,
we ask no one in particular,
since we've seen a turtle
or a cow?
"Straightpins" by Jo McDougall, from Satisfied with Havoc.
Why the Ratio Four Series Two Is What I Use to Test New Coffees
-
A new generation of home machines has made good old drip coffee a place for
connoisseurs. For more than a year, the Four is the source of my morning
cup.
43 minutes ago
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